jbdowse:thoughts
SPEECH
My idiolect and how it compares to standard conceptions of English phonemes and to certain regional accents.

DIPHTHONG RAISING

First of all, have you heard of Canadian diphthong raising? Maybe not. It's cool. If you have, then great, you have a head start on what I'm going to discuss here. Basically, it's common in Canada to have two ways to pronounce the /ai/ and /au/ diphthongs (as in high and how) depending on what sounds follow them. If they are final in a syllable or are followed by a voiced sound, then both have a standard "ah" vowel, like the a in father, as their first component. If they are followed by a voiceless sound, then the story goes that this first vowel component is raised to something closer to "uh" as in cut. This can cause a word such as bout to sound more like boat to an American.
From what I've read, and this could be an incorrect perception, it's generally thought that this distinction is restricted to Canada and inland northern US cities. But I disagree, as I have a similar distinction, while I come from rural NH and don't have a Northern Cities accent. (The question of what accent I do have is a curious one. It's not idiosyncratically New Englandy at all, but rather is much closer to what can be referred to as "Standard American English." I may elaborate more on this later.) In fact I noticed this, and how it conflicted with dictionary pronunciation keys, at quite an early age. I say the first vowel of the diphthong in height much more like "uh" than "ah." The first vowel of the diphthong in bout (or Dowse) isn't quite like "uh" for me but rather is closer to "eh" like in bet, though maybe a little more back than that. Meanwhile /au/ in the other environment, such as in loud, has a first vowel that is further forward than "ah" for me - it's more like halfway between "ah" and the a in cat, so like the first vowels in /ai/, the first vowel of /au/ as in bout is higher than that in loud. This makes a grand total of four initial vowels for these diphthongs. I've confirmed that this is a real effect and not just a perceptional glitch on my part caused by something like differences in duration between the types of each diphthong, which also exist. This was done by playing back samples of my voice recorded in the acoustic phonetics program Praat (which is a really cool program and is freeware, check it out) and listening to the initial vowels of the diphthongs in isolation, in addition to comparing their formants (resonant frequencies) in their respective spectrograms.
I would posit further that this distinction in /ai/ and /au/ is found in "Standard American English" (SAE). It seems to me to be how most people I know pronounce /ai/ and /au/. I'm not sure about this and I'm going to try to remember to pay attention to how people say these sounds and report back here once I reach any verification or refutation of this claim. If the claim is correct, it wonders me why I've never seen the distinction brought up (or even noticed?) as a very common phenomenon.
TYPE
This is a selection of fonts and things that I think about them. Why not get the party started (the font party) with Univers.
Univers was created by Adrian Frutiger, one of the coolest type designers ever, at the end of the 1950s (I believe). Why do I think he's one of the coolest type designers ever? Because he created Univers and Frutiger, that's why. Just those two typefaces are such masterpieces that even if Frutiger had never created another typeface besides them in his life, he'd still be in the type design pantheon, as far as I'm concerned. Anyway, Univers is a very commonly-seen font, and infinitely applicable. You can probably recognize either the regular or condensed version from somewhere. Univers is very cool and level-headed, nothing frilly about it, clearly, but I don't find it boring. Frutiger designed it specifically such that its various widths (regular, condensed, extended, ultra-condensed, and maybe more) would harmonize with each other optimally when juxtaposed. I find that Univers succeeds marvelously at this. Part of the reason I am so attracted to Univers may be the associations I have with it - it is extremely popular, along with Frutiger, in Swiss publications and signage (Frutiger being from Switzerland - I wonder what it's like to see your typefaces everywhere), and since Switzerland is awesome, so is Univers. It's just such a clean, elegant font. Its purity is like that of the mountain air on a fresh day in its place of origin. I really wish it were a standard in Windows so that we'd see it used where Arial is used in reality. Univers also evokes good typography of the 60s - 80s. It's never gone out of style, especially in Europe, and it's so well designed that I expect it never will.
Frutiger has similarities to Univers. But where Univers is an engineered sans like Helvetica, Frutiger has more humanistic roots. If I remember correctly, Adrian Frutiger designed his eponymous typeface on a commission to redo the signage for the Charles de Gaulle Airport of Paris. This was maybe 1967 or sometime around then. So it's been around a while, but I don't think I've seen it in any publications from earlier than the 1990s. I don't know why it would have languished for so long, because it's another masterpiece. Eminently legible and, furthermore, really pleasant to read. It has a softer effect than Univers. I find that it makes almost anything fun to read. Nowadays the Swiss government uses it for a lot of official signage such as the Postbus logo. This is another one which, morally speaking, should be way more popular than Arial.
MATH
THE POWER SET OF A SET IS REALLY BIG AND THIS IS WHY

Note: I've come up with a much more streamlined (and precise) way to demonstrate the following result, namely that the power set of a countably infinite set is uncountable. I'll also add the related result that the collection of finite subsets of a countable set is countable. All this coming soon.

Why is the power set of a set bigger than the original set? What is a power set, you ask? The power set P(A) of a set A is the set of all the subsets of A, including the empty set and A itself. For finite sets the answer to the first question is obvious, both intuitively and if you know how to compute the size of a power set: if set A has n elements, then P(A) has 2^n elements. For instance, the set {1,2,3} has power set {Ø, {1}, {2}, {3}, {1,2}, {1,3}, {2,3}, {1,2,3}}. This has 8 elements because each element of {1,2,3} can be either in or out of one of its subsets, giving a total of 2·2·2 = 2^3 = 8 subsets.

If you're looking at an infinite set U, then clearly P(U) is going to be infinite as well. But how do we know it's bigger? How can an infinite set ever be "bigger" than another infinite set? Well, the way two infinite sets are determined to be of the same cardinality ("size") is to find a one-to-one correspondence between each of their elements. Take the set of natural numbers N = {1, 2, 3, 4, 5, ...} as an example. Define -N as {-n : n is in N} = {-1, -2, -3, -4, -5, ...}. Intuitively, N and -N have the same cardinality, and indeed it is trivial to find a bijection (one-to-one correspondence) between them; this is it: define f from N to -N by f(n) = -n for all n in N. Each element of -N is mapped to by f from exactly one element of N, and the range of f (the set of objects mapped to by f) is all of -N.

There is no bijection between N and P(N). These two sets do not have the same cardinality. For the longest time though, I thought there was such a bijection g, defined as follows. For any n in N, consider the representation of n in binary. For instance, 1 stays 1 but 2 becomes 10, 3 becomes 11, 4 becomes 100, and so on. Now associate this representation with the set of natural numbers determined from it this way: if in the kth place in the notation there is a 1, include k in the set; if there is a 0, exclude k. So for example, the set associated to 50 = 110010 (in binary) would be {2, 5, 6}.

g(n), then, for all n in N, is the set associated in this way from the binary representation of n - 1. We see that g(1) = Ø, g(2) = {1}, g(3) = {2}, g(4) = {1, 2}, and so on. No two natural numbers map to the same set. Another way to say this is that for all m and n in N, if g(m) = g(n), then m = n. This result shows that g is injective, one of the two conditions for bijection. The other condition is that g be surjective, that is, that for all elements A of the target set - in this case, all sets A that are subsets of N and hence elements of P(N) - there is an element a of the original set - N - such that g(a) = A. That is, each element of P(N) is mapped to by g from some element of N.
g is not surjective.

Maybe you can already see why this is. If not, that's totally cool, because there elapsed oh maybe five years or more between the time I first constructed g and the time I figured out why it's not surjective, over this past spring break. So here's the reason. I find it pretty obvious now. If we look at a finite subset A of N, then there is indeed a natural number a that g maps to it. The prob is, there are a lot of infinite subsets of N as well (such as N itself, as well as {2, 3, 4, 5, ...}, {1, 3, 4, 5, ...}, and {3, 4, 5, ...} - there are tons of 'em). Do you see where this is going? Well, what natural number maps to N? or to any of the other infinite subsets I just listed? The answer: There is none. Only infinity would map to any of these, and infinity is not an element of N. Even we considered it to be an element of N, if we chose g(infinity) = U for some specific infinite subset U of N, then all the other infinite subsets would have nothing that we could map to them. So clearly, g is not surjective - it does not cover all the elements of P(N); in particular it does not cover any infinite subset of N. It does, however, cover all finite subsets of N, and so is a bijection between N and the set F(N) of finite subsets of N. So these two sets have the same cardinality. But P(N) has a greater cardinality than either, because of the gigantic number of infinite subsets of N. There you have it. Does this make sense? Let me know if you want something in there clarified. I hope you find this pretty cool like I do.

. . . Addendum: Let me add something I forgot to mention, it's pretty important. So important that the explanation up till now is incorrect without it. You might have considered that the set of infinite subsets of N, which is P(N)\F(N) - this notation denotes the set of all elements of P(N) that are not in F(N) - is in fact in a one-to-one correspondence h with the set of finite subsets N, in this way: for every finite subset A of N, let h(A) = N\A. This is a valid bijection. So the collection of all such infinite subsets N\A, call it I(N), has the same cardinality as F(N), and so if it is indeed equal to P(N)\F(N) as we think it may be, then this is a problem. And this is why: if two sets both have the same cardinality as N, then their union (the set of all elements of both sets) also has the same cardinality as N. (Try to figure this out by finding a bijection between N and the union of N and -N, i.e. the set of nonzero integers.) So if I(N) = P(N)\F(N), then the union of F(N) and P(N)\F(N), which would be P(N), has the same cardinality as N. Luckily for the purposes of this proof not falling apart, I(N) is not the same set as P(N)\F(N); P(N)\F(N) has a whole lot of elements that I(N) does not. After all, I(N) is the set of all infinite subsets of N with a finite number of elements missing. What about the infinite subsets of N with an infinite number of elements missing? There are plenty of these; to name a few, there is the set of even natural numbers, the set of odd natural numbers, and the set of multiples of 3. In fact, such sets are so legion in P(N) that they completely overwhelm F(N) and I(N), and there is no bijection from N that can handle them. This is the full-disclosure reason why the cardinality of P(N) is greater than that of N. Thank you and goodnight.
MUSIC
This part's not started yet. One thing I want to discuss here is why sound color is the most important factor in how much I like a song.
all rights reserved 2006 Jonathan Dowse (06jbd)