From mah8 at williams.edu  Sat Mar  2 15:05:49 2019
From: mah8 at williams.edu (Hagino, Melia)
Date: Sat, 2 Mar 2019 15:05:49 -0500
Subject: [Ephlats] audition baby
Message-ID: <CAJth=dqukFfxOGj+SDnAUitMQYJxaTOZ8kgywWQxEkos+z6AZg@mail.gmail.com>

hello ephlats! i should have done this yesterday! my bad, that's on me.

the audition section for what i need is going to be the prechorus and the
chorus, which is measures 7-18 including the repeats. i'll put the lyrics
for that section below. we're going to start in measure 6 and then go into
the prechorus, so be ready to come in! also heads up the rhythm of the
melody in the chorus is kinda tough with the rhythm of the background so
just make sure you practice that part if you feel so inclined.

thanks for letting me pretend to be in charge of a song! i am but
caroline's mouthpiece.

love, melia


Lyrics!!!!

Sure I would kiss you, I lay you with you
You broke, no, I can't fix you
I won't, no, won't diss you
But babe, yeah, might miss you
If you're cold and needed shelter
I'd hold you, but not sweat ya
I know we're not together
But babe, I won't forget ya
What I need, what I need, what I need
Is for you to be sure, no no no
For you to be sure, no no no
For you to be sure, no no no
What I need, what I need, what I need
Is to tell me that it's yours, no no no
And who you do it for, no no no
Need you to be sure, no no no
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From scb4 at williams.edu  Sun Mar  3 16:22:07 2019
From: scb4 at williams.edu (Brooks, Spencer)
Date: Sun, 3 Mar 2019 16:22:07 -0500
Subject: [Ephlats] Take a Chance on Moi
Message-ID: <CAMyPG8foOPrcVxC9YppUSVRwohTq4vmj1_n5=SmHO5ekt5vrzA@mail.gmail.com>

 Hey All,

I've uploaded Take a Chance On Me to the Drive.

We'll take roughly 15 minutes to learn and practice this tonight (it's only
a dozen measures or so). It goes right at the beginning of the medley,
before Mamma Mia, so we'll practice that transition, and hopefully do 1 or
2 runs of the whole song.

Looking forward to seeing y'all at rehearsal tonight!

S
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From msk3 at williams.edu  Sun Mar  3 18:31:36 2019
From: msk3 at williams.edu (Korfmacher, Matias)
Date: Sun, 3 Mar 2019 18:31:36 -0500
Subject: [Ephlats] Fwd: ABBA: The Musescore
In-Reply-To: <CALACr=6Rrz+tTZtJgqN=byOf_2zGTDvLgsVC-DbDjAaS1hjJ3A@mail.gmail.com>
References: <CALACr=6Rrz+tTZtJgqN=byOf_2zGTDvLgsVC-DbDjAaS1hjJ3A@mail.gmail.com>
Message-ID: <CALACr=5iAbNqc_eAif7EDX-MJq948Xa4P=SLGBYkJ5Pkun5biQ@mail.gmail.com>

---------- Forwarded message ---------
From: Korfmacher, Matias <msk3 at williams.edu>
Date: Sun, Mar 3, 2019, 5:38 PM
Subject: ABBA: The Musescore
To: OSL: Ephlats <g-osl-ephlats at williams.edu>


Sup all,

This is the combined ABBA mashup! It gets a little funky due to Musescore
2/3 disagreements (and the fact that they removed their score combination
tool) after Take a Chance, but it's nothing that will affect learning the
new part / the transitions for the parts we should be off book on.

Here (we) go again,
Matias
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From rtw1 at williams.edu  Sun Mar 10 21:31:34 2019
From: rtw1 at williams.edu (Rainer Wasinger)
Date: Sun, 10 Mar 2019 18:31:34 -0700
Subject: [Ephlats] ABBA Medley from Today
Message-ID: <CA+v14wviUVca==Ea8x+3t+f1yrTWCo-TLm=9uuRw3PUNQPGz+A@mail.gmail.com>


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From rtw1 at williams.edu  Sun Mar 10 21:33:30 2019
From: rtw1 at williams.edu (Rainer Wasinger)
Date: Sun, 10 Mar 2019 18:33:30 -0700
Subject: [Ephlats] YDB from today
Message-ID: <CA+v14wsYCYJQu=dXERPvDbR5Yr+qKedbq7Xb20A=PQ_iTTw7Yw@mail.gmail.com>


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From rtw1 at williams.edu  Sun Mar 10 21:34:41 2019
From: rtw1 at williams.edu (Rainer Wasinger)
Date: Sun, 10 Mar 2019 18:34:41 -0700
Subject: [Ephlats] What I Need
Message-ID: <CA+v14ws4qU=DGA9fYUMB4PhEhD7smQBdWHkcQ-ZJWu6z10ujjw@mail.gmail.com>


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From adm3 at williams.edu  Tue Mar 12 22:57:17 2019
From: adm3 at williams.edu (Afoma Maduegbuna)
Date: Tue, 12 Mar 2019 22:57:17 -0400
Subject: [Ephlats] What
Message-ID: <CACE6BF0-C656-4DDC-A51C-1D42B4871D55@williams.edu>



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From adm3 at williams.edu  Tue Mar 12 22:57:32 2019
From: adm3 at williams.edu (Afoma Maduegbuna)
Date: Tue, 12 Mar 2019 22:57:32 -0400
Subject: [Ephlats] Thunder
Message-ID: <FFE28B85-9195-4478-9130-203F15D2B853@williams.edu>



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From adm3 at williams.edu  Tue Mar 12 22:57:47 2019
From: adm3 at williams.edu (Afoma Maduegbuna)
Date: Tue, 12 Mar 2019 22:57:47 -0400
Subject: [Ephlats] Mamma Mia
Message-ID: <8C601C70-4ECB-4554-BD3A-89594D849D13@williams.edu>



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From arb7 at williams.edu  Tue Mar 26 23:21:02 2019
From: arb7 at williams.edu (Ball-Burack, Ari)
Date: Tue, 26 Mar 2019 20:21:02 -0700
Subject: [Ephlats] Everglow With Syllables and Some Info
Message-ID: <CAK7RJn6OUY6fg=k-yeG2KKVjjL57noCRuUomVB_0K1g5bei3bg@mail.gmail.com>

Hi Phliggiez,

I hope your spring breaks have been exhilarating, restful, and inspiring. I
am beyond excited to see your beautiful faces in one week and wanted to
send this in preparation for a pretty intense five weeks when we return.

Without further ado, here's the final (I hope) Everglow arrangement. HUGE
ups to Ian for helping out a ton with syllables, and I'm hyped to sing this
with y'all. Two quick notes (but this is like those shitty problem sets
where one of the notes has oh so many parts hehe oops):

1. When it says "sim." in the syllables that means "similar" (or maybe an
Italian version of that or something) to the syllables that came before,
not actually the sound "sim." If this is obvious then I apologize for
wasting your time, but it took me a while so I wanted to share the learning.

2. RED PARTS (They're actually green and even orange at one point now but
this is what we call it): There are quite a few "extra" parts in this song.

   - The sops are split in the intro; I think y'all are on top of this.
   - The repeated 4-part red part (e.g. at measure 17) will be the four
   other seniors: Grasop, Calto, Rari (really this is tenor range but you're
   singing bari and I wanted it to be in your staff), and Matibass (lol)
   - During the chorus there's an alto red part ? I'd say everyone assume
   you're not the red part, we might split or one of you will be a red part
   but it's trivially easy I hope.
   - The bridge (starts at measure 134) is a SHITSHOW! Haha sorry folks.
   Prolly would have been better to write this as eight-part a la Sarah but I
   didn't. Anyways, maybe ignore this for now, or learn the normal parts (blue
   in MuseScore) if you're feeling sendy.

I think that's all. Thanks for bearing with me on this. Please let me know
if any of this is confusing or if you have questions about the
arrangement. Ideally, people can look at this over the next few days so we
can really jump in when we're back on campus! As a kind of bottom line, if
any part seems weird it might help to listen to the recording; this
basically exactly follows the recording (full version, not radio edit).

Love forever,
Ari

-- 
Ari Ball-Burack
Williams College '19
arb7 at williams.edu
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From scb4 at williams.edu  Sat Mar 30 15:13:41 2019
From: scb4 at williams.edu (Brooks, Spencer)
Date: Sat, 30 Mar 2019 15:13:41 -0400
Subject: [Ephlats] Individual Rehearsal Sunday; Last Weeks of the Semester
Message-ID: <CAMyPG8fC=kMeuoEbhq-0k=qBvXNKFn5sqjRJ7=BuepafdsrACw@mail.gmail.com>

Hi All!

As it would be insane to try to have rehearsal tomorrow, let's instead read
through Toxic (PDF and Musescore attached and on Google Drive, link to
performance notes below) and Everglow (see email from Ari) and learn/recall
parts for rehearsal on Tuesday, when we will spend time working both
pieces. Check out the attached performance notes for details about
phrasing, syllables, etc. Let me know if you have any questions!

Here's a link to initial performance notes for Toxic:

https://docs.google.com/document/d/1E8aMCY-wgVfw9QbIWXu4Ai_wiHZWZzh9wEujfR3GUAE/edit?usp=sharing

Looking forward to seeing everyone soon!

Best,
S
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