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Contradance

13 bytes added, 10:57, January 19, 2006
How Contra is Danced Today, at Williams
At Williams, [[Dancing Folk]] hosts about one dance a month. All these dances have a live band, usually our 'house band', [[Rude Cider]]. Once or twice a semester, though, the club brings in a professional band, which adds a whole new level of energy to the event.
After choosing a partner and lining up 'across the set' from that partner, a [[#The Band and Caller|caller]] teaches the ~8 moves ("figures") that will be danced by all in the dance, and talks the crowd through these moves while they try them out together ("The Walkthrough"). There are dozens of traditional figures out there, and more being invented, and each dance is a new selection and arrangement of them, but all contradances have one key thing in common: on one full time through the dance (64 beats of [[#The Music|music]]) puts you and your partner at the beginning again, only with a different couple to dance with.
This may sound a little complicated, but dancers with all levels of experience can and do dance together and still have tons of fun. Participating demands no grace or poise (these can be added later), and some describe it not as dancing, but as getting yourself to the right spot at the right time, or walking around the dance floor. Unlike just about every other kind of dance you can name, footwork is quite optional: it can be just as simple as walking (preferably in time to the music), but more experienced dancers add plenty of style, finesse, and variations to test themselves and thrill their partners.
The traditonal group-based style of contra and the attitude taken at Williams make learning contra easy here. At Williams, the caller teaches every dance, start to finish, no exception. Dancers of all levels of experience are present at every contra, and are welcomed. Unlike couple dances such as [[swing]] or salsa, contradance places each dancer in near-constant contact with many other people, and every dancer will dance with everyone else before the end of the dance. It is also the social norm to change partners between each dance, and never to refuse one person's requst to contradance for another's (though there is always a waltz or two you can save for that special someone). Finally, the callers of Dancing Folk have long made it their focus to teach dancing, and err on the side of simple rather than complex in general, planning out a series of dances for the night that progress from easy to challenging. All these factors speed learning for all, and keep the group together.
==(A Rough) History of Contradance==
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